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Madame Crommelynck as a turning point in Jason’s adolescence

My first impression of Jason Taylor was that he was very self conscious, and edited himself so much to others, to a point that no one really knew him (this is also similar to Holden and Esther). Jason really isn’t the “type” that all the other popular kids in his class are; he writes poetry, has nerdy interests, and has a stammer that he uses his extensive vocabulary to hide. Jason’s worst fear is that any of this humiliating information about him is revealed to his class, so he does all he can to hide it and fit in. Jason is so obsessed with the social politics of his grade and is desperate to move up from his current mid-ranked “position” in his class. He recognizes classmates, like Ross Wilcox, who didn’t used to be cool, and is bewildered by how they were able to move up. Jason begins taking any chance he can get to improve his social standing with the other kids, as well as keeping up the act of hiding his stammer and unpopular interests. One example of this is in “Bridle Path”, w...
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The Nameless Family

The family of Mother, Father, Mother’s Younger Brother, and the Little Boy could arguably be considered the main characters of Ragtime . While many of the family members are less dynamic characters than someone like Coalhouse Walker, or JP Morgan, all of them stay present and central throughout the entire book. One of the most notable narrative decisions that Doctorow makes in Ragtime is leaving the main characters of the book without names. For a majority of my reading through the book, I was somewhat confused by this decision. Doctorow’s divide between who got a name and who didn’t also seemed kind of arbitrary; it didn’t have to do with who were real versus fictional characters, which is seen in the named and completely made up characters of Sarah, Willie Conklin, Coalhouse, and more. So, what was Doctorow’s intent in not giving any members of the family names, if not to distinguish his fictional characters from iconic historical figures of the early 20th century? I think that thes...
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Icarus and Daedalus Reversing Roles

 The opening scene of Fun Home places Bruce on the floor of their living room, holding Alison in the air. Alison immediately compares her own height and danger of falling to the Greek myth of Icarus, the figure who–after his father, Daedalus’ invention–flew too close to the sun and fell into the Aegean sea. At the start of the book, Bruce is Daedalus, and Alison is Icarus. However, in Fun Home, Alison says that she isn’t the one who falls, but Bruce is. Bruce’s ‘fall’ can be interpreted in different ways, but I think the sequencing of the book attempts to show his fall as how her perspective of him shifts. At the beginning of the book, Bruce’s character is much simpler; we know that he’s a perfectionist, has a short temper, and is generally very cold to his family. Despite her best efforts, Alison struggles to find meaningful connection and interaction with her father. For so much of Alison’s childhood, and even up to the months before Bruce dies, Alison barely knows about him....
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